However, it is common knowledge that over the past decades, Canadians have become less likely to directly participate in political affairs, illustrated by the fact that only 61% of eligible voters casted a ballot in the 2011 federal elections (Elections Canada, 2011b)....
Martin Luther King, Adam Clayton Powell, and Reverend Galamison amongst others who tirelessly fought for the realization of such liberties to the point of their own deaths....
In the early years interest in haiku was stimulated across the United States by several contests sponsored by Japan Air Lines. In 1964 something over 41,000 haiku were submitted to their National Haiku Contest. Seventeen contests conducted by radio stations in different parts of the country screened the entries, and five winners from each local contest were submitted for final judging by Alan Watts. The selection of Watts, not himself a haiku poet but rather an expert on Zen, to judge this seminal contest reinforced the notion that haiku is informed by Zen and undoubtedly influenced the course of American haiku for years to come. Japan Air Lines published the 85 national entries in a booklet entitled . James W. Hackett won the grand prize of two round-trip tickets to Japan. In the winter of 198788 JAL, in association with Haiku Canada and the Haiku Society of America, organized an English Haiku Contest for residents of Canada and the United States. Kazuo Satô, the top Japanese expert on foreign haiku, was a leading force in the creation of the contest, with five key figures in the East Coast haiku establishment Cor van den Heuvel, William J. Higginson, Penny Harter, Hiroaki Sato, and Adele Kenny serving as judges. Van den Heuvel was invited to Japan for a press conference to announce the winners. The Grand Prize winner was Bernard Lionel Einbond, and about 200 runners-up were chosen from among 40,000 entries.
In the article, “Professionals’ Views on Interprofessional Stroke Team Functioning” Jane Cramm & Anna Nieboer (2011) seek to explain that interprofessional teamwork is considered the core component of integrated care, a complex activity involving many different health care providers that demands effective team functioning (p....
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and its successor journal, , were another pillar of the haiku movement in its salad days. With Jean Calkins as editor and publisher, made its first appearance in May 1965. It published material of highly variable quality, first as a monthly but later as a quarterly. Lorraine Ellis Harr, based in Portland, Ore., assumed editorship in 1972 and soon renamed the magazine . Harr wielded a strong editorial hand, but many poets who cut their teeth on thank her for her superb guidance in the subtleties of the haiku genre. consistently sought to bridge the Pacific, notably by featuring articles on haiku aesthetics by a Japanese scholar, Yagi Kometarô (subsequently gathered into a useful compendium, ), and, especially later in its run, translations from Japanese by editor Richard Tice. Tice and Jack Lyon became the editors in 1984, publishing irregularly from Magna, Utah, until 1992.
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The appearance in 1963 of was an important landmark. This journal and those that followed have been the backbone of the American haiku movement, providing a sense of community for nonprofessional poets scattered across the county, a forum for critiquing and discussion one anothers work, and a road map for the development of the genre. Besides publishing original haiku, promoted the discussion of both techniques and the directions that haiku in the West might take. Although some haiku had been published here and there in small magazines, was the first publication devoted solely to haiku (and the related senryu) written in the English language. Twice a year for six years this charming magazine went out to an increasing number of poets and others interested in English-language haiku, setting a high standard for the periodicals that would follow. printed seminal articles about haiku craft and esthetics and featured book reviews, some written with a startling frankness that has rarely been repeated in the years since. Issue number one was published in Platteville, Wis., under the joint editorship of James Bull and Don Eulert. Over the years various editors had a hand in producing , including Clement Hoyt, Robert Spiess, Walter H. Kerr, Gustave Keyser, Joyce W. Webb, and Gary Brower. Especially under Hoyts editorship became a bastion of traditional 575 haiku.
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- Thomas Turner, Framingham, MA, 3/4/09. I just came across your site while surfing the Internet. You have done a great job with detailing the history of your station. Found the audio segments quite enjoyable, but am having trouble with some of them. What media player(s) do you use for them? I currently have Windows Media 11, RealPlayer, and QuickTime in my computer at home. I've been able to hear some using Windows Media at work, but not at home. When I was going to college at Emerson in Boston, I worked part-time at WNAC Radio and TV. At that time, they were affiliated with CBS on the TV side and later switched to ABC. WNAC Radio was the flagship station for the Yankee Network, which supplied news and programming to various stations in the New England area, I was there from 1959 to 1961. WEEI Radio was the primary CBS Net outlet at that time; now it's WBZ. Keep up the good work!!