The Hidden Treasure Of Romanticism Nature Essay Sample

Happiness lies in wanting only “what his nature and his state can bear” (l.

I told them that I thought the sky was beautiful, pointed out some clouds, and explained how looking at it was reminding me to appreciate everything in our natural world (by this point, it really was). The boys were pretty much beyond listening by this point. They were already getting into their own outdoors play but I continued to look around all the little things outside and take a few moments to soak in the details, take some deep breaths, and be in amazement about the intricacies and perfection of creation.


Hazel de Berg, [Interview with Chris Wallaee-Crabbe], sound recording (Canberra: National Library of Australia, 1969).

Adrian Colma, ‘A Modest Radiance: The Poetry of Chris Wallace-Crabbe,’ Westerly 1 (1969), pp.

What I realized is that if I can learn to be present and content, whatever my current reality is, and snap myself out of a bad mood by appreciating the wonderful world around me… my boys will most likely imitate. So this day’s activity turned out to be a lesson to me to remember that my example is the first teacher of my children and no matter how stressed I am, I can use tools (such as going outside and appreciating natural beauty) to remind me about how blessed I am and how thankful I should be.

The Essential Of Romanticism Nature Essay Sample

I would also want to transport myself to Na Pali coast on the island of Kauai in the Hawaiian Islands. The breathtaking Napoli Coast consists of a twenty-two mile long strip of thousand foot cliffs that shoot straight out of the sea into the clouds and remain as wild as the day the lava froze to form island. Being on the ocean’s edge in a place of such natural beauty makes me appreciate being alive. I feel as if I could have just as easily been part of the sea cliffs or a wave in the ocean, and I’m blessed to be able to appreciate myself for what I am, and observe such a peaceful and breathtaking location.

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It is human nature to complain and be envious of others, but we live in the richest country in the world, having the freedom to do what we want to do and the money to do it. We have more than we need and don’t appreciate most of it. I believe instead, we should be giving thanks with a grateful heart, focusing on what we have, not on what we don’t have. Be grateful for a job to go to, a home to clean, and homework to do. Be grateful for the people who love you, and appreciate the healthy life you have been given. Keep an attitude of gratitude for everything you have, and everything you get to do.

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Key Items Of Essay About Protecting Our Nature Photos

The recovery of “On the Nature of Things” is a story of how the world swerved in a new direction. The agent of change was not a revolution, an implacable army at the gates, or landfall on an unknown continent. When it occurred, nearly six hundred years ago, the key event was muffled and almost invisible, tucked away behind walls in a remote place. A short, genial, cannily alert man in his late thirties reached out one day, took a very old manuscript off a shelf, and saw with excitement what he had discovered. That was all; but it was enough.

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The idea of pleasure and beauty that the work advanced was forgotten with it. Theology provided an explanation for the chaos of the Dark Ages: human beings were by nature corrupt. Inheritors of the sin of Adam and Eve, they richly deserved every miserable catastrophe that befell them. God cared about human beings, just as a father cared about his wayward children, and the sign of that care was anger. It was only through pain and punishment that a small number could find the narrow gate to salvation. A hatred of pleasure-seeking, a vision of God’s providential rage, and an obsession with the afterlife: these were death knells of everything Lucretius represented.

Total -- 538 Words Essay: Value chain of our life time activities can have the Value proposition as self brand of creating opportunity for ourselves.

In the early years interest in haiku was stimulated across the United States by several contests sponsored by Japan Air Lines. In 1964 something over 41,000 haiku were submitted to their National Haiku Contest. Seventeen contests conducted by radio stations in different parts of the country screened the entries, and five winners from each local contest were submitted for final judging by Alan Watts. The selection of Watts, not himself a haiku poet but rather an expert on Zen, to judge this seminal contest reinforced the notion that haiku is informed by Zen and undoubtedly influenced the course of American haiku for years to come. Japan Air Lines published the 85 national entries in a booklet entitled . James W. Hackett won the grand prize of two round-trip tickets to Japan. In the winter of 1987–88 JAL, in association with Haiku Canada and the Haiku Society of America, organized an English Haiku Contest for residents of Canada and the United States. Kazuo Satô, the top Japanese expert on foreign haiku, was a leading force in the creation of the contest, with five key figures in the East Coast haiku establishment — Cor van den Heuvel, William J. Higginson, Penny Harter, Hiroaki Sato, and Adele Kenny — serving as judges. Van den Heuvel was invited to Japan for a press conference to announce the winners. The Grand Prize winner was Bernard Lionel Einbond, and about 200 runners-up were chosen from among 40,000 entries.

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As it turned out, there was a line from this work to modernity, though not a direct one: nothing is ever so simple. There were innumerable forgettings, disappearances, recoveries, and dismissals. The poem was lost, apparently irrevocably, and then found. This retrieval, after many centuries, is something one is tempted to call a miracle. But the author of the poem in question did not believe in miracles. He thought that nothing could violate the laws of nature. He posited instead what he called a “swerve”—Lucretius’ principal word for it was clinamen—an unexpected, unpredictable movement of matter.

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By chance, copies of “On the Nature of Things” somehow made it into a few monastery libraries, places that had buried, seemingly forever, the principled pursuit of pleasure. By chance, a monk laboring in a scriptorium somewhere or other in the ninth century copied the poem before it moldered away. And, by chance, this copy escaped fire and flood and the teeth of time for some five hundred years until, one day in 1417, it came into the hands of a man who proudly called himself Poggius Florentinus, Poggio the Florentine.