The word's first cinematic outing came in 1970, in two film adaptations of Henry Miller novels: Joseph Strick's and Jens Jorgen Thorsen's . (The latter featured 'cunt' extensively in captions and graffiti.) In ,one of the few films to include truly extensive usage of 'cunt', RayWinstone, "spraying c-words like bullets" (Stuart Jeffries, 1997),brutally assaults Kathy Burke whilst shouting "Cunt! Cunt! Cunt! Cunt!Cunt! Cunt! Cunt!" (Gary Oldman, 1997). Peter Silverton describes thescene as "cunt-kick, cunt-kick, and so on and on" (2009). The lineswould be familiar to Winstone, whose previous role in involved a similar sequence in which he verbally abused Crissy Rock bycalling her "Cunt! Cunt! Cunt!" (Ken Loach, 1994). Gary Oldman has saidthat the brutal language was an essential part of 'sauthenticity: "I knew that I could give it an integrity and honesty[...] I'm not making the language more palatable [...] I want a bareknuckle film" (Ian Nathan, 1997). Winstone also starred in , in which Ben Kingsley calls him "Fat, fat, cunt, cunt" (Jonathan Glazer, 2000).
As discussed previously with reference to the trial, simple tallies of swear words do not recognise the importance ofcontext, though Lamacq has suggested that Radio 1 has a swear wordhierarchy in which "one c[unt] is as bad as five f[uck]s" (2000). Inhis guide to English grammar, ,Michael Swan classifies swear words with a star-rating system: "aone-star word will not upset many people, while a four- or five-starword may be very shocking" (1980); 'cunt' is the only word given fivestars. The British Board of Film Classification has a similarhierarchy, classifying swear words in ascending order as 'very mild'('damn'), 'mild' ('bastard'), 'moderate' ('prick'), 'strong' ('fuck'),and 'coarse' ('cunt'). Television regulators also have a linguistichierarchy: 'cunt' "tops the watchdog Broadcasting StandardsCommission's list of most offensive words" (Tara Conlan, 2002).
American media regulations regarding swearing date from 1973, when a New York radio station broadcast George Carlin's at two o'clock in the afternoon. The monologue was a comic assessmentof seven swear words - 'cunt', 'shit', 'piss', 'fuck', 'cocksucker','motherfucker', and 'tits' - and its afternoon broadcast provokedcomplaints from parents. The ensuing controversy led to advertisersrefusing to associate themselves with programmes which included stronglanguage, thus, for commercial reasons, none of the seven words Carlinlisted are permitted on either radio or network television: "Withoutadvertisers to placate, writers [for HBO] can include bad language andexplicit sex scenes [though they are] nowhere on network TV" (GraceBradberry, 2002).
In this category, two essays are provided with 400 and 600 words count. Both the essays contain detailed description on this English proverb which may be useful for students of high class along with other people of different age group.
In this category, three essays are given in different words count of 100, 200 and 300. All the essays are in simple English language with all information related to this phrase “A stitch in time saves nine”.
Essays on Essays On Women Empowerment In 200 Words
The most outspoken anti-porn feminist is Andrea Dworkin, who views 'cunt' as "the most reductive word" and sees porn as "the debasing of women" (1981). By contrast, Deborah Orr contends that "exposure of female bodies has been transmogrified into an expression of female freedom and power" (2000).
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This post-feminist sexual provocation, analysed by Brian McNair in , has specifically increased the cultural visibility of the vagina, counteracting the sexist tits-and-ass landscape discussed earlier: "Whatever the reasons for its concealment (and male fear could underlie it), feminists think that it is symptomatic of the way women themselves are disregarded and undervalued. It follows that by making the vagina visible, by defying the taboos, a woman can reaffirm her identity" (Lynn Holden, 2000).