Afterwards you are to write about the three maxims that stood.

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Essay written about maxims sample essay for medical school admission.

But most by Numbers judge a Poet's Song,

And smooth or rough, with them, is right or wrong;

In the bright Muse tho' thousand Charms conspire,

Her Voice is all these tuneful Fools admire,

Who haunt Parnassus but to please their Ear,

Not mend their Minds; as some to Church repair,

Not for the Doctrine, but the Musick there.

These Equal Syllables alone require,

Tho' oft the Ear the open Vowels tire,

While Expletives their feeble Aid do join,

And ten low Words oft creep in one dull Line,

While they ring round the same unvary'd Chimes,

With sure Returns of still expected Rhymes.

Where-e'er you find the cooling Western Breeze,

In the next Line, it whispers thro' the Trees;

If Chrystal Streams with pleasing Murmurs creep,

The Reader's threaten'd (not in vain) with Sleep.

Then, at the last, and only Couplet fraught

With some unmeaning Thing they call a Thought,

A needless Alexandrine ends the Song,

That like a wounded Snake, drags its slow length along.

Leave such to tune their own dull Rhimes, and know

What's roundly smooth, or languishingly slow;

And praise the Easie Vigor of a Line,

Where Denham's Strength, and Waller's Sweetness join.

True Ease in Writing comes from Art, not Chance,

As those move easiest who have learn'd to dance,

'Tis not enough no Harshness gives Offence,

The Sound must seem an Eccho to the Sense.

Soft is the Strain when Zephyr gently blows,

And the smooth Stream in smoother Numbers flows;

But when loud Surges lash the sounding Shore,

The hoarse, rough Verse shou'd like the Torrent roar.

When Ajax strives, some Rocks' vast Weight to throw,

The Line too labours, and the Words move slow;

Not so, when swift Camilla scours the Plain,

Flies o'er th'unbending Corn, and skims along the Main.

Hear how Timotheus' vary'd Lays surprize,

And bid Alternate Passions fall and rise!

While, at each Change, the Son of Lybian Jove

Now burns with Glory, and then melts with Love;

Now his fierce Eyes with sparkling Fury glow;

Now Sighs steal out, and Tears begin to flow:

Persians and Greeks like Turns of Nature found,

And the World's Victor stood subdu'd by Sound!

The Pow'rs of Musick all our Hearts allow;

And what Timotheus was, is Dryden now.

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Whoever thinks a faultless Piece to see,

Thinks what ne'er was, nor is, nor e'er shall be.

In ev'ry Work regard the Writer's End,

Since none can compass more than they Intend;

And if the Means be just, the Conduct true,

Applause, in spite of trivial Faults, is due.

As Men of Breeding, sometimes Men of Wit,

T' avoid great Errors, must the less commit,

Neglect the Rules each Verbal Critick lays,

For not to know some Trifles, is a Praise.

Most Criticks, fond of some subservient Art,

Still make the Whole depend upon a Part,

They talk of Principles, but Notions prize,

And All to one lov'd Folly Sacrifice.

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But soon by Impious Arms from Latium chas'd,

Their ancient Bounds the banish'd Muses past:

Thence Arts o'er all the Northern World advance,

But Critic Learning flourish'd most in France.

The Rules, a Nation born to serve, obeys,

And Boileau still in Right of Horace sways.

But we, brave Britons, Foreign Laws despis'd,

And kept unconquer'd and unciviliz'd,

Fierce for the Liberties of Wit, and bold,

We still defy'd the Romans as of old.

Yet some there were, among the sounder Few

Of those who less presum'd, and better knew,

Who durst assert the juster Ancient Cause,

And here restor'd Wit's Fundamental Laws.

Such was the Muse, whose Rules and Practice tell,

Nature's chief Master-piece is writing well.

Such was Roscomon--not more learn'd than good,

With Manners gen'rous as his Noble Blood;

To him the Wit of Greece and Rome was known,

And ev'ry Author's Merit, but his own.

Such late was Walsh,--the Muse's Judge and Friend,

Who justly knew to blame or to commend;

To Failings mild, but zealous for Desert;

The clearest Head, and the sincerest Heart.

This humble Praise, lamented Shade! receive,

This Praise at least a grateful Muse may give!

The Muse, whose early Voice you taught to Sing,

Prescrib'd her Heights, and prun'd her tender Wing,

(Her Guide now lost) no more attempts to rise,

But in low Numbers short Excursions tries:

Content, if hence th' Unlearned their Wants may view,

The Learn'd reflect on what before they knew:

Careless of Censure, not too fond of Fame,

Still pleas'd to praise, yet not afraid to blame,

Averse alike to Flatter, or Offend,

Not free from Faults, nor yet too vain to mend.


essay written about maxims

Horace still charms with graceful Negligence,

And without Method talks us into Sense,

Will like a Friend familarly convey

The truest Notions in the easiest way.

He, who Supream in Judgment, as in Wit,

Might boldly censure, as he boldly writ,

Yet judg'd with Coolness tho' he sung with Fire;

His Precepts teach but what his Works inspire.

Our Criticks take a contrary Extream,

They judge with Fury, but they write with Fle'me:

Nor suffers Horace more in wrong Translations

By Wits, than Criticks in as wrong Quotations.

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