3.1 "Beauty is in the eye of the beholder" As a child she enjoyed making up stories, and won prizes for her writing at Connecting you to college life!
“Beauty is in the eye of the beholder” is a well-known phrase that has been attributed to Beauty: In the Eyes of the Beholder…or the Media?
(In addition to the above: articles and reviews in Art History, Zeitschrift für Kunstgeschichte, Burlington Magazine, the Times Literary Supplement, the Times Higher Education Supplement, The London Review of Books, The Guardian, Nature, etc., and regular radio interviews and discussion programmes with practising artists for 'Third Ear' on BBC 3, and various TV programmes, also consultant for TV programmes for ITN, BBC and other companies.)
Only an infinitesimalnumber of Europeans, even of those who pass the best part of their lives inIndia, make any attempt to understand the philosophic, religious, mythologicaland historical ideas of which Indian art is the embodiment."
This is the place where the real beauty and ugliness are hidden....
The Ideals of Indian Art was written with the express purpose ofchanging the prevailing European indifference to Indian art and bringing about aproper appreciation of its aesthetic qualities.
Beauty is described by the inside and outside of us.
The widespread of advertisement and technology is something that’s said to be the contributing problem to the ideal women phenomenon, but I believe history and trend plays the bigger role....
Many people feel beauty is only something seen by the eyes.
The ideal beauty in America is not so different from the ideal beauty of cultures around the world and follows many of the traditions practiced throughout history.
Essays, beauty: Eye of the beholder
Trustee of National Galleries of Scotland
Board of the Scottish Museums Council
Board of the Museum Training Institute
Trustee of the Victoria and Albert Museum
Trustee of the British Museum
Trustee of the Wilhemina Barns-Graham Charitable Trust
Board of the Louise T Bloin Institute
Term Papers, beauty: Eye of the beholderSocial media, avenues of peer and parental influences, and role models of “beauty” cause young girls of today’s society to develop distorted views of beauty for themselves.
Essays: Over 180,000 beauty: Eye of the beholderProportions are central to a formally trained artists view of the body. They serve to standardize, break-up and simplify an image, ultimately reuniting it in the artists representation what is almost an infinite variety of 'real' body forms. In other words, they are a conceptual tool, that prevents an artist from being overwhelmed by the variety of choices but does so at the expense of stifling innovation. Later Indian texts on art make it explicit that formal schools of art (such as are presumed to have existed at Sanghol, Mathura, Sanchi, Ajanta, Nagarjunikonda, etc) included rules of proportion amongst there training (the Kama Sutra lists it amongst the six limbs of painting). Not only can rules of proportion help us to identify different schools and styles but they help give us some appreciation of the ideals the artist followed.
Beauty is in the Eye of the Beholder..There are a lot of unanswered questions and our interpretations depend upon many assumptions. For example, the idea of a transition from Bharhut to Sanchi to Mathura driven by the simplicity and elegance of the Southern Ajanta style assumes that Bharhut represents the norm in the north and is not itself an abberation caused by a move to sculpting in stone which is gradually corrected to better represent painted representations. The explanation is unlikely as terracotta images reflect the sculpted images of Bharhut, but we just don't know because paintings don't survive to make the comparison and because the images that do survive tend to represent brief snapshots rather than a continuous image tradition.
Essay examples; Beauty is in the Eye of the Beholder..
Chair of Association of Art Historians
Chair of Editorial Board, Art History
Chair of Graeme Murray Gallery, Edinburgh
Board member, ‘Interalia’ (art-science organisation sponsored by Marks and Spencer)
Professor of History, Royal Scottish Academy
Member of the Council of the British Society for the History of Science
Membre Titulaire, Comité International d’Histoire de l’Art
Founder of Artakt and Director, 2001-5