If this were an essay aimed at an academic audience, I'd go on to illustrate these cheeky assertions with evidence from Borges's work and life (and throw in some footnotes here and there). But because this is an article for working writers seeking to hone their craft and expand their range, I'm instead going to offer up five things that I think the short fiction of Jorge Luis Borges has to teach us as writers.
The enduring appeal of Borges's short fiction shows us too that ideas matter. Because while some of his stories are constructed around the sort of "gotcha" endings we associate with O. Henry (say, for example, in Borges's "Emma Zunz"), some of them are built around ideas so astounding, so paradoxical and marvelous, that they linger in the mind long after reading. In Gibson's words, they increase the bandwidth of the brain.
The information is brought and understand into the mind in various of ways and is then manipulated by placing into a sensory, short term or long term storage and is recalling and retrieved when necessary.
Borges's stories are full of the sorts of objects I've noted above, such as mirrors, swords, and labyrinths (Gibson referred to Borges's "hallmark hall of mirrors") as well as situations like people facing execution ("The Seret Miracle"; "Deutsches Requiem"; "The God's Script") and revisions of classic stories and themes ("Three Versions of Judas"; "The House of Aterion").
Jorge Luis Borges in Magic Realism
Jorge Borges: Short Stories essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of short stories by Jorge Borges.
Borges was an Argentine writer famous for his short stories
How are we able do determine what something is, and distinguish that thing from others? Borges routinely plays with notions of what makes something unique, as exemplified in A Survey of the Works of Herbert Quain, the plot of which concerns Herbert Quain trying to write ' novel Don Quixote verbatim from his own life experiences. If two authors come to the same words in different ways, is the product the same or different?
Jorge Francisco Isidoro Luis Borges Acevedo ..
Reading the work of Jorge Luis Borges for the first time is like discovering a new letter in the alphabet, or a new note in the musical scale. His friend and sometime collaborator Adolfo Bioy Casares called his writings “halfway houses between an essay and a story”. They are fictions filled with private jokes and esoterica, historiography and sardonic footnotes. They are brief, often with abrupt beginnings. Borges’ use of labyrinths, mirrors, chess games and detective stories creates a complex intellectual landscape, yet his language is clear, with ironic undertones. He presents the most fantastic of scenes in simple terms, seducing us into the forking pathway of his seemingly infinite imagination.