Jorge Borges: Short Stories Themes | GradeSaver

Jorge Luis Borges’ terse, mind-expanding stories reshaped modern fiction

If this were an essay aimed at an academic audience, I'd go on to illustrate these cheeky assertions with evidence from Borges's work and life (and throw in some footnotes here and there). But because this is an article for working writers seeking to hone their craft and expand their range, I'm instead going to offer up five things that I think the short fiction of Jorge Luis Borges has to teach us as writers.

The enduring appeal of Borges's short fiction shows us too that ideas matter. Because while some of his stories are constructed around the sort of "gotcha" endings we associate with O. Henry (say, for example, in Borges's "Emma Zunz"), some of them are built around ideas so astounding, so paradoxical and marvelous, that they linger in the mind long after reading. In Gibson's words, they increase the bandwidth of the brain.

The information is brought and understand into the mind in various of ways and is then manipulated by placing into a sensory, short term or long term storage and is recalling and retrieved when necessary.

There are few writers who understand and exploit this primal link more persistently than Jorge Luis Borges.

Borges's stories are full of the sorts of objects I've noted above, such as mirrors, swords, and labyrinths (Gibson referred to Borges's "hallmark hall of mirrors") as well as situations like people facing execution ("The Seret Miracle"; "Deutsches Requiem"; "The God's Script") and revisions of classic stories and themes ("Three Versions of Judas"; "The House of Aterion").

Jorge Luis Borges in Magic Realism

Jorge Borges: Short Stories essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of short stories by Jorge Borges.

Borges was an Argentine writer famous for his short stories

The  section for Jorge Borges: Short Stories is a greatresource to ask questions, find answers, and discuss the novel.

How are we able do determine what something is, and distinguish that thing from others? Borges routinely plays with notions of what makes something unique, as exemplified in A Survey of the Works of Herbert Quain, the plot of which concerns Herbert Quain trying to write ' novel Don Quixote verbatim from his own life experiences. If two authors come to the same words in different ways, is the product the same or different?

Jorge Francisco Isidoro Luis Borges Acevedo ..

Reading the work of Jorge Luis Borges for the first time is like discovering a new letter in the alphabet, or a new note in the musical scale. His friend and sometime collaborator Adolfo Bioy Casares called his writings “halfway houses between an essay and a story”. They are fictions filled with private jokes and esoterica, historiography and sardonic footnotes. They are brief, often with abrupt beginnings. Borges’ use of labyrinths, mirrors, chess games and detective stories creates a complex intellectual landscape, yet his language is clear, with ironic undertones. He presents the most fantastic of scenes in simple terms, seducing us into the forking pathway of his seemingly infinite imagination.


Jorge Luis Borges (Author of Ficciones) - Goodreads

"," one of Borges' most famous short stories, takes place in—you guessed it—a library. But this is no ordinary library. For one thing, it's huge: there are endless bookshelves, there are duplicate books, and there are infinite corridors.

Jorge Francisco Isidoro Luis Borges Acevedo, usually referred to as Jorge Luis Borges ..

I discovered Borges halfway through my undergraduate years at Prescott College, and I recall a similar sensation. In reading stories like "The Circular Ruins," "The Library of Babel," and "Pierre Menard, Author of the Quixote," I was stunned. These stories were not character driven. They barely possessed anything that could be called scenes. And yet they opened up a gateway to another world.

Because of this he could only write short stories (Borges, Jorge Luis 384).

“What Borges did was the ultimate high-low fusion,” says critic Marcela Valdes, “mixing pulp material – detective stories, sci-fi scenarios – with architectural structures and philosophical preoccupations. He loved Buenos Aires, but the world he created in his fiction was essentially a world made out of a library.”

02.10.1993 · Essays and criticism on Jorge Luis Borges - Borges, Jorge Luis - (Short Story Criticism)

Borges’ preoccupations and innovations are splendidly displayed in Ficciones. He was an early genre blender, for instance. The Garden of Forking Paths, framed as a 1916 deposition by Dr Yu Tsun, a Chinese spy descended from a Hunnan governor who “abandoned all to make a book and a labyrinth,” is “an enormous guessing game, or parable, in which the subject is time,” and a detective story. Its first US publication was in Ellery Queen Mystery Magazine.

Jorge Luis Borges - Google Play

is a collection of short stories and essays by Borges. He gets our heads spinning with stories about gardens with forking paths, a strange country called Uqbar, and a translator who tries to re-write Cervantes' famous novel Don Quixote.