I. Studies in the History of the Renaissance

The Harlem Renaissance was the foremost form of freedom for African Americans.

The Harlem Renaissance helped African Americans establish their identities as culturally enriched people who were well deserving of a place in American society....

The most influential pages of The Renaissance come in its brief “Conclusion.” Only three pages long, this aesthetic manifesto—adapted from Pater’s 1868 review of William Morris’s Earthly Paradise—turns away from the explicit subject of Renaissance art to address the reader directly. What matters most in life, according to Pater? Not any of the usual Victorian middle-class values of Christian faith, moral rectitude, social status, business competition, financial gain, nor any kind of public life. Facing the stark fact of human mortality, Pater exhorts his readers to take pleasure in sense impressions and in the pursuit of knowledge, whether admiring an artwork or another person:

The Harlem Renaissance brought about a flourishing of the African American community, it helped bring black culture into a predominantly white society, and it generally satisfied problems previously faced by the African American community.

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Wallen, Jeffrey. “Alive in the Grave: Walter Pater’s Renaissance.” ELH 66.4 (Winter 1999): 1033-51. JSTOR. Web. 12 May 2012.

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Phillips, Adam. Introduction. The Renaissance: Studies in Art and Poetry. By Walter Pater. Ed. Adam Phillips. Oxford: Oxford UP, 1998. vii-vxiii. Print.

DuBois on the Writings from the Harlem Renaissance

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The evolution of African-American culture, expressed through art, music and creative writings, and establishing roots in European-American society became known as the Harlem Renaissance.

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To burn always with this hard, gemlike flame, to maintain this ecstasy, is success in life. In a sense it might even be said that our failure is to form habits: for, after all, habit is relative to a stereotyped world, and meantime it is only the roughness of the eye that makes any two persons, things, situations, seem alike. While all melts under our feet, we may well catch at any exquisite passion, or any contribution to knowledge that seems by a lifted horizon to set the spirit free for a moment, or any stirring of the senses, strange dyes, strange colours, and curious odours, or work of the artist’s hands, or the face of one’s friend. (119-20)

Renaissance Clothing Essay - Anti Essays

During the Harlem Renaissance period, Alain Locke considers African Americans as transforming into someone “new.” He describes how African Americans migrated from the south to the north and were given new opportunities....

An essay or paper on Northern Renaissance

Both Ruben’s Venus and Adonis as well as Veronese’s Mars and Venus United by Love are pieces clearly defined by the Late Renaissance and the Baroque tendencies to emphasize the relation between then-current political, economic, and social atmospheres. They were each part of great transitional periods in artistic history and utilized the new components of flawed human features with gods as well as natural beauty and love.

FREE Essay on Northern Renaissance - Direct Essays

The High Renaissance in Italy influenced the changing generation of artists who incorporated the technical expertise, compositions, and themes of the older generation. Italy during the sixteenth century reflected the Late Renaissance and Mannerism. The Protestant Reformation was spreading and the Roman Catholic Church sought to hold on to power as long as possible by throwing out all artwork which was too Protestant or not religious at all. Likewise, Protestants removed artwork which was too Roman Catholic. Roman-based artists were spread throughout Rome and Europe and responded to the conflict with Mannerism. Mannerism emphasized technical virtuosity, beautiful figures, erudite subject manner, and compositions which were deliberately complex in order to appeal to the remaining sophisticated tastes of the middle class. Refinement became synonymous with Mannerism for the emerging middle class who desperately wanted to emphasize their new wealth and social status as well as the aristocrats who were desperately holding on to theirs. Instead of focusing on clarity and unity, grace, virtuoso, and variety were displayed. New definitions of beauty were explored by conscious artists which meant experimenting with ideal figure types, proportions, and unusual compositions. Since these artists were considered privileged, it was a requirement to still to integrate originality and personal expression just as the High Renaissance had done.

Renaissance Clothing Renaissance was known as the Golden Age and also for its exquisite clothing. Men, women, and children wore clothing which was made out

Peter Paul Ruben lived and painted from 1577 until 1640, catching the Protestant Reformation throughout the Netherlands. During this transitional period, Baroque became the emphasized artistic style which utilized color, movement, and sensuality to convey the pictures and themes. Ruben is characterizes by landscapes, historical paintings, portraits, and Counter-Reformation pieces which were part of the new artistic movement during the sixteenth century. During the sixteenth century he traveled throughout Italy where the artistic movements impacted his future work including the Venus and Adonis painting. Paolo Veronese was part of the Renaissance period in Italy from 1528 until 1588. He was part of the Late Renaissance period in Italy during the sixteenth century known for his colors and illusionistic decorations. His Mannerist style was indicative of elaborate stores, pageantry, architectural settings, and dramatic color. Both of their popular pieces—Ruben’s Venus and Adonis as well as Veronese’s Mars and Venus United by Love—are indicative of the new attention to detail which was taking place across Italy and Europe during the sixteenth century. They are symbolic of love and sensuality. The main difference between the two is that Ruben was a devout Catholic who subscribed to religious ideals while Veronese was quite the opposite.