Sisters Paulette and Jane Nardal, born in Martinique, played a fundamental role in Négritude and also served as a bridge between French- and English-speaking black writers who met every Sunday in their salon. In 1931 the Nardal sisters and the Haitian Leo Sajous published La revue du monde noir (The Review of the Black World), a bilingual literary journal.
Flemish artist Franz Masereel's woodcut for the first edition of Pigments depicts a black man in a city bursting forth from a tuxedo, a symbol of the constraining pomp and elitism of Western culture. His nakedness, the palm trees, and the black figures are meant to represent the essence of blackness, or Négritude. They can also be seen as reinforcing the stereotype of primitivism associated with Africans.
Léon-Gontran Damas (1912–1978) was born in French Guiana. In 1924 he went to school in Martinique, where he met Aimé Césaire; he later met Senghor as he continued his studies in Paris in 1929. Like his two friends, he entered politics and was a representative from Guiana in the French parliament (1948–1951). In 1970 he became a professor at Georgetown University in Washington, D.C., and then taught at Howard University until his death. Damas strongly advocated a quest for the authentic self, knowledge of self, and a rediscovery of African beliefs, values, institutions, and civilizations.
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Négritude is a cultural movement launched in 1930s Paris by French-speaking black graduate students from France's colonies in Africa and the Caribbean territories. These black intellectuals converged around issues of race identity and black internationalist initiatives to combat French imperialism. They found solidarity in their common ideal of affirming pride in their shared black identity and African heritage, and reclaiming African self-determination, self–reliance, and self–respect. The Négritude movement signaled an awakening of race consciousness for blacks in Africa and the African Diaspora. This new race consciousness, rooted in a (re)discovery of the authentic self, sparked a collective condemnation of Western domination, anti-black racism, enslavement, and colonization of black people. It sought to dispel denigrating myths and stereotypes linked to black people, by acknowledging their culture, history, and achievements, as well as reclaiming their contributions to the world and restoring their rightful place within the global community.
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Of major significance are the Harlem Renaissance intellectuals who fled to France to escape racism and segregation in the United States. Prominent among them were Langston Hughes, James Weldon Johnson, Richard Wright, and Claude McKay. McKay, who bemoaned divisions of blacks, was acclaimed by Senegalese poet and politician Léopold Sédar Senghor as the spiritual founder of Négritude values. Senghor argued that "far from seeing in one's blackness inferiority, one accepts it; one lays claim to it with pride; one cultivates it lovingly." Pan-Africanist leader Marcus Garvey similarly implored his peers: "Negroes, teach your children that they are direct descendants of the greatest and proudest race who ever peopled the earth."
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This includes biographical and limited critical information on authors commonly studied in schools and colleges. Also lists further readings about the authors. This is in electronic format only.